The workshop series based on
the methodology of the 1st Roma Storytelling Festival was a huge
success
The
team of Independent Theatre Hungary developed an educational material based on the
video recordings of plays by European Roma authors, performed at the RomaHeroes – 1st International Roma Storytelling Festival in July 2017,
presenting the stories of example-setting contemporary Roma people and based on
a draft methodology put together with the artist. Our goal was to make visible
the hardly known values of Roma theatre and the challenges of European Roma
communities as well as reactions to these challenges by responsible people who
bring along changes and can serve as an example both for the members of the
Roma communities and the social majority.
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Atmosphere of the test-workshop |
In
order to tailor each session to the needs of the participants, the group
leaders were interviewed before the workshops. The trainers finalized the
lesson plan of each workshop to fit the given group based on this information.
Thus each workshop session was unique, while there were some aspects and activities
which always stayed in the spotlight.
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At all workshops, the group
collected general characteristics of heroes. We claimed that, although Roma
theatre has a more than 130-year-long past, and in most European countries
there are active Roma theatre professionals, we know almost nothing about them.
Thanks to the methodology, the participants had the opportunity to watch video
scenes from four plays, which were not available in Hungarian before and which
were performed at the festival last year. After, they could decide which play
they would like to learn more about. The students worked in small groups and,
based on excerpts of the playscript, relevant social context and question, they
worded for themselves what the story of the given hero is about, what its
message is and what questions it raises. What might be the risk and advantage
in claiming our identity? How can we assert our rights against the authorities
or even against the will of our own family? How can even a victim of a genocide
stay active citizen and give voice to the stories of a silenced community? The
group members presented the results of the groupwork on the four plays to each
other, and these presentations were often followed by heated debate. The
youngsters got to know not only the four plays but also four Gypsy communities
and the stunning example of four committed women.
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At the
second workshop session, video interviews with the playwright were screened
sometimes and in all cases we shared our own heroic deeds and stories of heroes
who are important for us. Often, the youngsters found it difficult to believe
that there are heroes in their own environment, that they might have heroic
stories. However, after a little while, stories came pouring out: about
parents, grand-parents, teachers and themselves. The stories which most
participants found exciting were adapted with creative means, and the small
groups presented the resulting writings, videos or scenes to each other. Some
of these works were also published on Roma Heroes blog – as it is not only
heroes that we can find everywhere when looking for them, but also youngsters
can create works in a short time which are worth to be shown to the world. As a
result, the workshop series did not only bring high culture to the communities
but also the members of the communities could also communicate their stories to
thousands of people.
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Workshop in RefoRom, Budapest |
We
found that positive approach inspired the youngsters. Finally they participated
in a program that presented heroes instead of victims, and met trainers who
wanted to hear their stories instead of telling them how is everything, and who
helped them to formulate and present the stories that are important to them on
their own way. The workshop series reached 202 youngsters all together in
autumn 2017.
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Eight
students, who were most devoted to the topic and common activities, also had
the opportunity to take part in a 5-day-long common workshop in December.
During this event, they had the chance to dig deeper in the genre of
storytelling, learn more about European Roma drama literature and theatre
performances, draw the portraits of value-led, example-setting people from
their environment, and to plan and realise creative actions.
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Besides
non-formal education, the methodology also got into universities. The
Department of Media and Communication of Eötvös Lóránd University not only
hosted the workshop, professor András Müller also spent a semester with
discussing the four plays, their background and the media communication of the
festival in the frame of his course “Case Studies on Communication”.
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Our experiences proved that
the works of Roma theatre artists have a place not only in theatres but also in
education, at non-formal, empowering workshops as well as in the academic
sector. And what is even more important, it also proved for several Roma
youngsters that they have their own heroes, whose example is worth to be
followed. Moreover, they can live as responsible people, who make decisions led
by their own values, and who initiate changes in their own life and in their
closer or broader environment.
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Feedback
from the participants
Roma
special college students
They want to learn more about
Roma dramas and get to know more plays
“I’d need more of this, I’d keep opening up
these topics in myself” (Salgótarján);
“Why aren’t these plays in the public domain?
Why do I have to learn at the age of 25 that they exist at all? They could
inspire Roma people to keep studying. I believe that there’s a way out of this
shit!”(Pécs);
The living protagonists of the
plays inspired them to be more active and carry out projects of a greater scale
“It is so good to see what impact art can have,
I would do the same, to show positive Roma image, for example through
films.” (Nyíregyháza);
Their identity was
strengthened, and their shame for being a Gypsy diminished
“We should come out as Gypsy and not feel
ashamed for where we came from.” (Dr. Ámbédkar);
„It was hard to claim my identity. I asked myself
how I identify myself. I realised that my family and friends are talented and
after I came out.” (Romaversitas).